The Block-In in figure drawing acts as an organizational blue print or tool for the artist. The Block-In organizes the drawing and gives the form guidelines for the artist.
So what is the Block-In method and the benefits of learning this technique? In simple terms, the Block-In is a simplified 2D drawing of the 3D person or subject you are drawing. The block in is designed in observation to the model. This will help your drawing become more realistic and help your drawing come alive! It will help you begin to see the model correctly and help you avoid mistakes that may occur without the use of the block in. By practicing the Block-in, youll be able to master the human form with more of a likeness and having it come alive in your drawings.
So, how do you do a Block-in? This is definitely the simplified version but with practice, you will become an expert at this technique. First, you will start with a sketch of the shape of the whole pose using no more than 6 or so lines. This will create a shell, or what some teachers call an envelope. This shell is where the drawing will develop inside. It doesnt have to be perfect. In fact, it wont be perfect. The points of the shell will probably be out of place a little, just remember, its okay! This is just giving you a guideline of the pose, helping you figure the overall dimensions.
The next step would be to start to fill in your shell. Do this by sub-dividing your shell into smaller shells. Then begin to break the shells down into major shapes. I say major because you dont want to focus on finer details of your drawing during the Block-in. This is a major no, no! Worries of fine details such as hair, facial features, expression, etc are a waste of time at this point and could lead to big mistakes. This is generally a beginners mistake. It is much more important to focus on the larger shapes. At this point, your drawing will look not so pretty and a little broken up. However, one important note to keep in mind as you go throughout your Block-in, always be conscious of your angles.
You will want to begin breaking down your sub shells and refine them. Stay general at first and then get more specific as you go. Your shell wouldve been broken do wn into dynamic shapes that will serve as the underlying foundation of the drawing. Your lines will change from long to shorter as the refining process begins.
Finally, after dividing and chiseling away at your shell, you will have a structure that will serve as your blueprint for your drawing. Keep in mind that you have been checking your angles the whole way, this is important.
Block-ins may take a little time getting used to and changing your drawing habits but the rewards are endless. You will see your drawings improve drastically and immediately and you figures will start to come alive. Explode your drawings with this technique!
Copyright 2006 Todd Harris
Todd Harris is a master artist who is currently working at a multi-billion dollar company as a concept art director. He is trained in the florence academy method of art and loves drawing. Learning2draw.com is a resource web site developed to help aspiring artists master the human figure with drawing and sketching tips, tricks, techniques, and advice. It is jam-packed full of resource articles on drawing and sketching as well as career advice. For more info please visit http://www.learning2draw.com or email us at info@learning2draw.com.
Author:: Todd Harris
Keywords:: Block-in, figure drawing, how to draw, learn to draw, how to draw faces, learn to draw faces, how to
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